January 17, 2012
A journey down the Silk Road to Rego Park, Queens

Cheburechnaya, located on 63rd Rd in Rego Park, Queens is a restaurant that serves Bukharian Jewish food. It is open Sunday to Thursday from 10am to midnight. Along with a majority of the stores in Rego Park, this restaurant closes on the Sabbath from sundown Friday to sundown Saturday.

For many New Yorkers, venturing to outer Queens is equivalent to a journey down the Silk Road - long and arduous but filled with myriad cultures, spices and sites to be seen.
Eight to fifteen stops on the train (express or local - camel cart or horseback) from midtown Manhattan lies Rego Park, home to the largest population of Bukharian Jews outside of Isarel. Bukharian Jews are a distinct ethnic group from Uzbekistan and Tajikistan, predominantly Muslim countries that were formerly part of the Soviet Union. After decades of having their religion repressed from both powers, in 1991 when the Soviet Union fell, the majority of Bukharian Jews immigrated to the United States and Israel.
The mass numbers of retail stores, grocery stores, and restaurants in Rego Park that cater to the population dominates Queens Blvd. Visiting these establishments, and especially the restaurants, gives a strong sense of the multifarious influences on the Bukharian culture.
Geographically, Uzbekistan and Tajikistan are surrounded by China, Russia, Afghanistan and Iran. Elements of all of these countries and cultures, as well as a sense of Jewishness, are evident in the food.
Cheburechnaya Restaurant on 63rd Dr. in Rego Park, is owned by Tajikistan-born Simon Sionov and is a testament to the history, geography and culture of the Bukharian Jews.

Large parties come to eat at Cheburechnaya on a nightly bases. The customers are primarily Bukharian Jews. The waitresses are from Tajikistan, Uzbekistan and Russia. The main language of communication is Russian, but many of them speak the Bukharian dialect that has elements of Tajik, Farsi, Russian, Hebrew,  and Uzbek.

Rabbi Israel Steinberg visits the restaurant every week to make sure that the preparation and cooking of the food follows Jewish Kosher law.

The influences in Bukharian food spans religion and geographic location. One can expect to find these type of items on the menu: Islamic kebabs, Chinese dumplings and Russian dough pastries, all spiced with key South Asian flavors.

One of the specialty dishes at the restaurant is the Chebureki - a dough pastry filled with spiced meat or vegetables and fried until crispy.

The production line for the Pelmeni, a boiled bite size dumpling with ground beef that is served in a spiced broth.

Nadia Sionov, the mother of the restaurant owner takes a phone call break while she sits in the kitchen and prepares food. Like many Jewish mothers, Bukharian Jewish mothers like to cook in mass quantity.

Staff meal remains half eaten while the waitresses run the front of the house to serve the many customers. The soup, Lagman, contains a hand-pulled dough noodle and various spices, to be accompanied with a piece of traditional circular bread and pilov, spiced rice.

When mother of the restaurant owner, Nadia Sionov is not preparing food in the back, she occupies a table on the floor to make sure everything is running smoothly.

Decorations at Cheburechnaya consist of Muslim style ceramics, Jewish religious items, Middle Eastern “evil-eye” talismans, and several large screen TVs that blast pop music from the region.

January 13, 2012
Stonecutter Journal Issue 2 - Jan. 19th

Stonecutter issue 2 is launching Thursday, January 19th! 

Preorder your copies here.

Take a sneak peak of the art that is inside.

WILL STEACY

NANCY KAY TURNER

PETER EARL MCCOLLOUGH

COURTNEY REAGOR

August 18, 2011
Newsha Tavakolian: Listen

Notes on Listen, works by Newsha Tavakolian (As seen on the Stonecutter Blog)



Imaging A Dream - Eyes closed, mouths open, as if in a dream. Standing facing us with their backs to the darkness, they sing, soundless. They have been standing here, singing for themselves for a long time, imagining us, hearing. Standing; facing days of tedium, facing a world that has adorned them with a false crown. Standing, waiting.

Abbas Kowsari – Autumn 2010
——-

With deep roots in photojournalism, Iranian photographer Newsha Tavakolian seamlessly presents a conceptual body of work that reinforces her watchful eye on the theme of women in her society. Her newest portfolio,  Listen, is featured in a six-page spread in Issue One of Stonecutter Journal. In her artist statement, Tavakolian alludes to her feelings about living in an Islamic society as she creates images of women who struggle to produce music in Iran.* Upon further discussion with Tavakolian in May of this year, I learned the true depth of her angst, which is illuminated in the complexity of her three-part portfolio. 

The first component of Listen consists of exquisitely lit formal portraits of professional women singers. As written in her artist statement, the women in these images are “not allowed to sing solo, perform in public or produce CDs in Iran because of Islamic tenents.” With eyes closed, the women sing to Tavakolian’s camera lens, which she records in the acknowledged silent statement of the medium of photography. The expression on each woman’s face evokes intense sadness, pain, and spirituality, as these women must battle the tension between expressing their passion and adhering to the law.



Reiterating the silenced voices of these women in a medium that connotes audibility, Tavakolian also filmed the women singing and created a six-paneled video installation. The heads fade in and out, the mouths open and close, the backdrop continues to sparkle, but what should be a cacophonous sound of many voices, remains on mute.

The final component of Listen are images of a young girl dressed in black, staged as imaginary CD covers. Tavakolian filled CD cases with the images to create the illusion of a produced CD. Void of actual compact disk, Tavakolian offered the CD case to all who visited her first solo exhibition at Aaran Art Gallery in Tehran, in late 2010. Ultimately, when part of a home music collection, Tavakolian intended the empty case to signify the restrictions, and once again the silence, of women singers as performers in the public sphere. Her choice of the title Listen drives her point home as we strain our ears to hear voices that cannot be heard.


More of Newsha Tavakolian’s work can be viewed at www.newshatavakolian.com. 
*Note: Tavakolian’s artist statement for Listen can be found in the “image info” link at the bottom of each photograph in the portfolio.


December 15, 2010
Alex Volz by Zara Katz

Alex Volz by Zara Katz

December 15, 2010
Joe Lewis by Irving Penn

Joe Lewis by Irving Penn

December 12, 2010
What I do on Fridays

Like so many people my age, I have been caught in the abyss of unsatisfactory under-employment. As a remedy, I decided to go back to school, in a small way and a big way. The former has resulted in attending Laney College in downtown Oakland, where I am taking classes in Photojournalism, Studio Photography and writing for the campus newspaper. The later is endeavoring to apply to graduate school in New York.

I have decided to start this new blog to show all the work that I have been doing in the past three months. This image above is an example of what I do on Fridays. I bring my house cat and a bowl of produce to class and work with my professor Franklin Avery, a major character in his own right, on different studio practices. This past Friday, I learned how to use a tilt-shift lens.

December 12, 2010
I have a new portfolio on my photography website of images I have been taking in my neighborhood of Fruitvale. Click the photo to go to my website and see the whole portfolio. 
LA FRUITVALE: Fruitvale, a predominantly Latino neighborhood in East Oakland, is known for it’s rich colors and bold symbols of culture that stand out even after dark. Through images of storefronts illuminated at night, I seek to define the faces that look to these stores for fashion, entertainment, gifts, luxury and necessity. Among the cultural symbols identified in the window front displays, dresses for weddings, quinceañeras and baptisms reign supreme; flashy furniture, plastic toys, and pigmented flower arrangements entice under florescent and neon lights; wrought iron, a symbol of strength, protects gallons of orange and purple drinks, as well as vanquished VCRs. Together, the objects for sale, the sources of light and the colors utilized encompass the elements of culture that represent the people that live in the area.
 

I have a new portfolio on my photography website of images I have been taking in my neighborhood of Fruitvale. Click the photo to go to my website and see the whole portfolio. 

LA FRUITVALE: Fruitvale, a predominantly Latino neighborhood in East Oakland, is known for it’s rich colors and bold symbols of culture that stand out even after dark. Through images of storefronts illuminated at night, I seek to define the faces that look to these stores for fashion, entertainment, gifts, luxury and necessity. Among the cultural symbols identified in the window front displays, dresses for weddings, quinceañeras and baptisms reign supreme; flashy furniture, plastic toys, and pigmented flower arrangements entice under florescent and neon lights; wrought iron, a symbol of strength, protects gallons of orange and purple drinks, as well as vanquished VCRs. Together, the objects for sale, the sources of light and the colors utilized encompass the elements of culture that represent the people that live in the area.

 

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